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Ying
Zhu
Professor
Media Culture
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Ying Zhu
Professor
Office
: Building 1P
Room 225
Phone
: 718.982.2535
Fax
: 718.982.2710
ying.zhu@csi.cuny.edu
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Degrees :
PhD, University of Texas @ Austin
Biography / Academic Interests
:
Ying Zhu is a leading scholar in Chinese cinema and media studies. Her publications have appeared in prominent film and media journals, edited book volumes, and websites/blogs in the US, China, and Europe. The recipient of fellowships from the National Endowment for the Humanities and the American Council of Learned Societies, she is the author and editor of seven books, including "Chinese Cinema during the Era of Reform: the Ingenuity of the System" (2003) and "Television in Post-Reform China: Serial Drama, Confucian Leadership and Global Television Market" (2008), "TV China" (co-edited with Chris Berry, 2009), and "Art, Politics and Commerce in Chinese Cinema" (co-edited with Stanley Rosen, 2010). Her first trade book on China Central Television, "Two Billion Eyes" is forthcoming via New Press. Her co-produced documentary, "Google China Standoff” was broadcasted on the Netherlands Public Television and is being distributed in the US, Europe and South America. She is currently working on a TV documentary about the revival of Confucius classics learning among the Chinese college youth. She co-curated “Centenary of Chinese Film Retrospective” at the Lincoln Centre in New York in 2005 and contributed major articles to the China Studies blog of "the New York Times."
Scholarship / Publications
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Selected Journal Articles
“Li Yang’s Socially Conscious Film as Marginal Cinema-- China’s State-Capital Alliance and its
Cultural Ramifications,” Chinese Journal of Communication Vol 2(2009): 212-226.
“Transnational Circulation of Chinese Language Television Dramas,” Global Media and
Communication Volume 4(1) 2008, 61-82.
“Yongzheng Dynasty and Chinese Primetime Television Drama,” Cinema Journal 44.4 (2005),
3-17 (lead article for this issue of CJ).
"Chinese Cinema’s Economic Reform from the mid 1980s to the mid 1990s," Journal of
Communication 52.4 (2002) 905-921.
Selected Book Chapters
“Chinese Dynasty Drama as Political Discourse,” In Carlos Rojas & Eileen Cheng-yin Chow (Eds.), The Oxford Handbook of Chinese Cinemas (Oxford UP, forthcoming).
“Cross-Fertilization in Chinese Cinema and Television: A Strategic Turn in Cultural Policy,” in Yingjin Zhang (Ed.) Blackwell Companion to Chinese Cinema, (Blackwell Publisher, forthcoming).
“Chinese Cinema’s Commercial Wave,” in Contemporary Chinese Cinema, edited by Luis Miranda (Granada, Spain: Festival Cines del Sur, 2007) 157-192.
“Sun Mingjing and Early Chinese Documentary Filmmaking” (Tongdao Zhang, co-author), in Ombre Elettriche Cento anni di cinema cinese 1905-2005, Marco Muller & Elena Pollacchi, (Eds.) (Venice, Italy: Fondazione La Biennale di Venezia, 2005) 64-74.
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