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Ying
Zhu
Associate Professor
Media Culture
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Ying Zhu
Associate Professor
Office
: Building 1P
Room 225
Phone
: 718.982.2536
Fax
: 718.982.2710
zhu@mail.csi.cuny.edu
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Degrees :
BA, Guangxi University, China
MA, San Francisco State University
PhD, University of Texas @ Austin
Biography / Academic Interests
:
Ying Zhu is Professor of Media Culture, Co-coordinator of CSI’s Modern China Studies Program, and Chair of Ethnic & Area Studies Panel, University Committee on Research Awards at CUNY. Her publications have appeared in leading media journals such as “Cinema Journal,” “Journal of Communication,” “Consumption, Markets & Culture,” “Global Media and Communication,” various edited book volumes, and prominent online publications such as “New York Times” and “AsiaMedia.” She is the author of “Chinese Cinema during the Era of Reform: the Ingenuity of the System” (2003) and “Television in Post-Reform China: Serial Drama, Confucian Leadership and Global Television Market” (2008); and co-editor of “TV Drama in China” (with Michael Keane and Bai Ruoyun, 2008) and “TV China” (with Chris Berry, 2009). Her upcoming books include “The Interplay of Art, Politics and Commerce in Chinese Cinema” (with Stanley Rosen, 2010) & a New Press book, “The Transformation of China Central Television.” She is the recipient of American Council of Learned Societies Fellowship (2007-08) and of the 2006 Fellow of National Endowment for the Humanities. She co-curated “Chinese Film Retrospective” at New York’s Lincoln Center in 2005. She teaches graduate seminars including “Media Theory and Criticism,” “Global Media,” “International Cinema and Media” and undergraduate courses such as “Screenwriting” and “Chinese Cinema.”
Scholarships / Publications
:
Television in Post-Reform China: Serial Dramas, Confucian Leadership and Global Television Market (London: Routledge, 2008).
Chinese Cinema during the Era of Reform: the Ingenuity of the System (Westport, CT: Praeger, 2003).
TV drama in China (co-edited with Michael Keane and Ruoyun Bai, Hong Kong University Press).
TV China (co-edited with Chris Berry; Indiana University Press).
Chinese Cinema after a Century: The Interplay of Art, Politics and Commerce (co-edited with Stanley Rosen, Hong Kong University Press, in progress).
CCTV and China’s Shifting State-Society Relation (New York: New Press, in progress)
“Transnational Circulation of Chinese Language Television Dramas,” Global Media and Communication Volume 4 (1) 2008, 61-82.
“Yongzheng Dynasty and Chinese Primetime Television Drama,” Cinema Journal 44.4 (2005), 3-17.
"Chinese Cinema’s Economic Reform from the mid 1980s to the mid 1990s," Journal of Communication 52.4 (2002) 905-921.
“Commercialization and Chinese Cinema’s Post-Wave," Consumption, Markets & Culture 5.3 (2002) 187-209.
“Cinematic Modernization and Chinese Cinema's First Art Wave," Quarterly Review of Film & Video 18.4 (2001) 451-471.
"From New Wave to Post New Wave: Chinese Fifth Generation's Cinematic Transition," Asian Culture Quarterly 28.2 (2000) 13-48.
“Commercialism and Nationalism: Chinese Cinema’s First Wave of Entertainment Films,” CineAction 47 (1998) 56-66.
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