Dr. Rachel Catherine Elliott works in Social and Political Philosophy, Continental Philosophy, Aesthetics, Ethics, Philosophy of Technology, and Philosophy of Health and Illness. She received her PhD in Philosophy from the University of Guelph. Dr. Elliott has recently published in Puncta: Journal of Critical Phenomenology and Continental Philosophy Review. Her book, A Critical Phenomenology of Music, is published by Palgrave Macmillan.
Degrees
PhD, University of Guelph
MA, University of Toronto
BA (Hons.), McGill University
Publications:
A Critical Phenomenology of Music. Palgrave Macmillan, 2025.
“Intercorporeality Online: Anchoring in Sound.” Continental Philosophy Review. July 2023.
“Musical Introspection and the Affective Group-en-Fusion: Existential Reckoning with the Political and Climate Crises.” American Music Review. Vol. 2.2. 2021/2023: 158 - 170.
“Sharing Time in We-Experiences: A Critical Merleau-Pontian Re-Reading of Schütz’s Tuning-In Relationship” Puncta: Journal of Critical Phenomenology. Vol. 5.5. 2022: 1 - 22.
“Suspending the Habit Body through Immersive Resonance: Hesitation and Constitutive Duet in Jen Reimer and Max Stein’s Site-Specific Improvisation.” Critical Studies in Improvisation/Études critiques en improvisation. Vol. 12 (2). 2018.
“The Significance of Meaningless Gestures in Derrida and Husserl.” Glimpse. Vol. 17. 2016: 20 - 26.
